For the uninitiated, Skam (or Shame in English) is a Norwegian TV show, aimed at teenagers, that details the lives, loves and confusions of the students of a particular posh high school in an Oslo suburb, focusing on one character’s story per season. It’s all in Norwegian, and rough translations are done by amateurs and only available to watch on Tumblr or via download links that disappear almost as soon as they’re made live. And yet, Skam is building a loyal, hungry audience – and it’s not just teenagers who are gripped.
The show is now in its third season and focusing on 17-year-old Isak, who’s on the cusp of coming out thanks to a sexual awakening by new arrival at his school Even, and when I first wrote about it for Gay Times, it was easy to see why some may have thought my interest in it was more down to my being a dirty old man than genuinely interested in the storytelling. It’s an old homophobic trope, that we’re only too happy to encourage, that any older gay man interested in what a teenager has to say has sexual motives, or is a paedophile.
The season 3 trailer featured a highly stylised dreamlike sequence – from Isak’s imagination, I guess – as our hero gazes upon his classmates in the locker room, in wonder, horror and embarrassment, on the outside looking in, when a carton of milk splatters on the locker above him, drenching him in it. It doesn’t take the Enigma machine to work out the symbolism the producers were going for, but the show is known for its glossy, suggestive trailers – the previous series trailer saw the main character, Noora, wake up in a room full of semi-nude beauties and a huge dildo on the floor – and it’s not at all representative of the series as a whole, which has a more diverse set of characters.
“You’re only interested in the men,” said one Facebook commenter. “Sexualising teenagers is OFF,” cried another. But the fact is teenagers are having sex, whether we care to admit it or not, and they certainly sexualise each other. We were all teenagers once and, depending on our confidence and social standing, having sex too. Why should’t we be interested in a show that tells stories like this so sensitively, and so well?
I’m not the only one who finds this window into a world a generation or two below us fascinating. Even Skam’s Tumblr fandom –traditionally behind the velvet rope for most people over 25, includes avid viewers well into their 30s and their 40s. Since writing about the third series I’ve been contacted by people of all ages to say how much they love it and do I know where they can see more.
So why is Skam striking a chord with people in their 20s, 30s and 40s? Is it really just a prurient interest in what teenagers do beyond Snapchat and Insta, or is it because, essentially, teenage problems are timeless – it’s only the tec that has changed? In the case of Isak’s story, it may be decades since some of us came out, and our own situation would have been wildly different from that of a privileged, yet messed up, Norwegian teenager, but the fact coming out still exists at all means we can still feel an affinity – and a pretty strong one at that.
Coming out isn’t usually portrayed that brilliantly on screen. Oh, sure, we tell ourselves it is, but usually we’re just so grateful to see a gay couple kiss or sit up in bed together that we’ll take pretty much any interpretation of our story. Usually, there’s either generous lashings of angst and misery, or Hollywood impossibility presented as fact, but it’s rare for a drama to get the balance just right – the perfect mix of wish-fulfilment, hope (both raised and dashed), lust, longing and, more importantly, everyday life. Because, even if your sexuality is tearing you to shreds on an hourly basis, life goes on, and you have no choice but to live it.
Isak and Even’s story begins with glances across a cafeteria but is given a kick start as they both escape a boring extracurricular group and go for a smoke. Quickly, Isak is hooked, doing all the stalker routines we never admit to anyone that we ourselves do – Googling Even, scrolling through his Insta, watching his videos and finding out what he’s into. Soon, Isak is immersing himself in all things Even, watching his favourite movies, listening to his preferred music and even having cardamom on a cheese toastie (long story).
Dramas come in the form of girlfriends, fear of homophobia and insecurity, which all block the path of true love. The use of girlfriends in the story is particularly painful to watch at times: many gay men have been guilty of using teenage girlfriends as smokescreens, playing with their emotions – very seldom in malice, but playing all the same – to hold on to their social standing or escape bullying. It’s a stark reminder that homophobia is harmful to everyone, LGBT or not.
The long silences and stultifying scenes of pretty much nothing are the most realistic of all. One scene consists almost entirely of Isak waiting for his sandwich to be toasted and nothing else. That’s the thing with coming-out stories, they can’t be quickly packaged up into convenient episodes. They don’t lurch from one dramatic scene to another, with killer lines delivered, before sweeping out of a room victoriously. They lumber along, slowly. They’re the dimmest of lights from the last embers of the fire, barely visible, but still not giving up hope that somehow, from somewhere, some kindling will turn up and make them burn brighter than before. But while we wait for the spark, we remain on a low light.
We go to school, we queue for our lunch, we listen to the teacher and we do our homework. We get the bus, we watch our favourite TV shows – and we still enjoy them – and we get the sleepless nights, but not every night. Life goes on, and while we may pine and worry, for the most part it’s buried deep within. It’s not so much a secret, or something shameful, just the thing that you can never acknowledge is happening, or tell the world, because once you do there is never any going back, and while the thought of it both excites and terrifies you, you cannot imagine life beyond it. You think it can never be. But all you know it is everything you long for and everything you’re scared of. It is in turns the entire world to you and utterly meaningless.
This is why Skam works so well. It’s both the coming-out we recognise and the one we wished we had. All the things Isak is dying to say, we wanted to say too, and when he says them and gets them all wrong and moves his progress at least ten steps backward, we nod and say, “Yes, that’s how it would have gone for me if I’d dared to say it” and when he wins, and has Even with him again – whatever we may think of the suitability of that relationship – we wonder if that could’ve happened to us. And perhaps then we kick ourselves for wasting so much time, or not taking a chance. Every lurch in Isak’s stomach is our own. We root for him, and he both delivers and disappoints. Maybe we can’t exactly identify with him now, but we can relate. We are all Isak at some point in our lives, but Isak can’t be all of us. When we are older and more “sane and sorted” and grappling with adulthood and middle-age, we forget about these days in a way – how we felt, what it was like to be lonely in crowded rooms, looking for a sign somebody understood. Skam has relit the fire in many, and it’s a valuable lesson for us to remember that coming out has not got any more fun in the last 20 years. We look back and recognise the naivety of their youth – they think this is the biggest problem they’ll ever have. We know different.
It’s an immersive, almost claustrophobic experience, with clips added to the SKAM website in real time, and screenshots of text messages between Isak and the other characters. We’re living every moment with him.
Of course, the story has to move forward, so suspension of disbelief is required at certain stages. The flirtation kind of comes too quickly – although the bonding over music and dope is certainly how a lot of these things start, turning from hero worship into attraction before you’ve even realised it. And of course the sad truth is they are very often a one-way thing. It’s almost unthinkable that Isak would somehow manage to fall for another ostensibly straight guy that fancied him back, although Isak did harbour a crush on his best friend Jonas for long enough, which was unrequited. The show happens in real time, so the entire story has to be played out within the confines of the ten-week run, and this limited timeframe means silences that could last months have to be broken, but Isak’s sexuality hasn’t come into question overnight. The previous two seasons have touched upon it, from his interesting browsing history to his sham girlfriends, and even being outed by a ouija board; the evolution of this storyline has been totally on the level.
While Isak isn’t exactly a hugely popular student, some LGBT viewers whose adolescence was more of a struggle could be forgiven for feeling mildly envious of his situation. In one scene, shortly after he comes out to his close gang of buddies, they coach him on how to play it cool over text with Even. Why couldn’t I have had a a group of lads like that, you may wonder. How different might things have been if I had? You’re thrilled for Isak because even though it’s painful for him, he has that support network, he gets to go to the big parties, and you know, above all, he has time and progress on his side so it’s likely he’s going to be all OK. And even though Isak is a fictional character, your envy turns to hope.
But just as every coming-out is different, so must Isak’s be too. Years of unrequited crushes, furtive masturbation and trying to pass as straight is a pretty thankless way to spend your youth, and while we may wish our journey could’ve been as romantic and charged with passion as Isak’s, we know deep-down we couldn’t have that kind of coming-out for ourselves, and nor should we have. How we came out and dealt with our sexuality in our younger days made us who we are now. For better or worse, there was only one road to take. The main hope is that Isak’s story will inspire someone yet to embark upon their journey, and, when they do, keep them on course.
Fasten your seatbelt, kid, it’s going to be a bumpy forever.
I have never followed the rules when it comes to Christmas, and certainly not when it comes to my Christmas tree. Unlike most children, I spent a long time resisting Christmas, as it coincides with my birthday and I always considered it to be a showy, crowd-pleasing attention-seeker at the side of my always very subdued, dreary even, birthday two days before it. My birthday was Bradford, the city I was born in, while Christmas was the huge, brash Leeds, forever casting a shadow. Oh, sure, I got excited and enjoyed the presents just like everyone else, but as I got older, I started to see Christmas as a rival.
But the thing about Christmas is it’s not going anywhere, and neither was my birthday, so we were kind of stuck with each other in our “special relationship”. So when I finally grew up emotionally as well as physically, I threw myself into it, especially when I got a place of my own. Helped by the fact I now had a little sister 20 years my junior, I banished my latent Ebeneezer Scrooge tendencies and transformed into a slimmer, less beardy – and hopefully slightly more attractive, I have to say – Santa Claus.
I remember scandalising my entire social circle when I bought my first ever Christmas tree and put it up and decorated it on 31 October – but that’s not the weirdest Christmas tree-related story in my oeuvre. There’s more. One Christmas, feeling a little lost and searching for comfort, I took my relationship with my tree to the next level.
The run-up to Christmas 2010 was a strange time for me. It was my first Christmas as a single man in a very long time, eight years, and my very first living alone. I was going on a lot of dates at the time – that was my thing, then, you see – and meeting all kinds of men, with varying degrees of suitability.
There was the one who was very handsome but slightly too boring, who I knew that, once he saw what I was really like beyond the wry politeness and shy smiles of our dinner dates, would feel like Maxim de Winter on his honeymoon, listening to Rebecca tell him all about herself. There was the other guy who tried to get me into radio comedies and thought it charming to take me on over eight dates without trying to kiss me even once. There was the younger guy who was worried about growing old alone – he was 24, FFS; it was like an early demo version of that Adele album – and used to get really drunk because I “made him nervous”. And there was the one guy I could never go home without, who followed me everywhere. That would be me.
As I’d only been single a few months, I didn’t really know how to be on my own, so when I was alone in my flat, I pretty much carried on as normal, like my boyfriend was in the other room or on his way home from work. I had always made a great performance of decorating the Christmas tree every year, once even putting it up on Halloween – I have no regrets, so whatever – and so I decided this year would be no different.
I dragged it into my now much smaller lounge-kitchen, grappled with it for ten minutes or so spreading out all the branches, cursed myself for not detangling the lights properly before putting them away last year, and unpacked all the baubles and ribbons and garlands. I am not known for my subtlety when it comes to decorations; every branch must have something happening. I like my tree to look like it was decorated by 10 drunk Alexis Carrington Colbys; tasteful is for the other 10 months of the year.
It took me well over an hour to get everything just right, zhuzhing the branches and fiddling with the star on top for an additional 15 minutes, and then standing back to take it all in. And I turned, as I would have done every other year, to get the reaction of my boyfriend, who would usually be sitting on the sofa waiting for me to get out of the way of the TV, but, of course, he wasn’t there. And the tree knew it.
The tree didn’t feel the same in my new flat. It was shoved between two pieces of furniture, its full glory muted by an armchair that I mainly used as a surface for folded laundry. It looked sad and gaudy in the midst of such depravity. Friends came round occasionally and congratulated me on it, and a few dates came back to mine and exclaim “Bloody hell, you’ve got a Christmas tree! I didn’t think single people bothered!” but the rest of the time it was just me and the tree. I felt sorry for it.
In December something strange happens to single men on dating sites. They become more romantic, more hopeful – but also less inclined to be nice to you if you feel you’re not right for them. I would arrive home from dates feeling either totally disillusioned after two hours of sitting buried in cheap pub tinsel with a Givenchy-scented sociopath or cautiously hopeful following six rounds of drinks, slammed back trying to make myself seem interesting. The tree would always be there, waiting for me, shimmering peacefully, at odds with the rest of the room, which would earned me a lecture on tidiness from a Tasmanian devil. On seeing its shimmering garlands, emotions would run high.
One bitterly cold night in particular, I came home after a sweet date with a guy who I knew wouldn’t be right for me, but had seemed very keen. I’d watched his eyes dance all over me the entire night and it was both exciting and frightening. I knew I’d see him again, but I knew, ultimately, it could never go anywhere. I walked into the flat in the dark and, without taking off my coat and scarf, flicked all the necessary switches to make the tree glow into life. It sat in silent judgement, determined to bring some festive cheer to my laminate-floored cell. I felt a rush of loneliness, hopelessness and affection that I can only imagine I’d ever experience again if I watched a deer be born, and went over and hugged my Christmas tree. Yes, I hugged it. Briefly, but tightly. I can see it now, my death grip around its overly baubled frame, no doubt eyes moist with festive cheer and longing. I felt a connection – my being had never seemed so Christmassy. The euphoria, however, was fleeting.
The tree’s exact thoughts on the matter have sadly gone unrecorded, but its actions have certainly left their mark. In retaliation at this violation, the tree evicted two glass baubles, dashing them to the floor, extinguished three or four of its lights and wilfully listed to one side. I released it, crushing the fragments of bauble between my feet, and looked back at the tree. A bachelor pad like this is no place for a tree like you, I thought. After it saw out that miserable Christmas, I packed it back in its box and left it there for the rest of the time I lived alone. Every tree needs an audience, and a loyal one at that.
The tree didn’t reappear until I moved in with my current boyfriend last year. It still lolled to one side and helpfully shed more “needles” on being brought out of the box than a real tree would manage in its entire Christmas run. We did our best with it, even titivating it with new baubles and a dinkier star, but it looked tired now, like it belonged to a different era. The last pensioner sipping a pint of bitter and doing his pools forms in a newly renovated gastropub.
I got a new tree this year, with some more new decorations and a new set of lights. It’s bigger, more realistic and much grander. I am in awe of it, and can’t stop staring into the very centre of it, but I do feel bad for my old tree. It’s still stored under the eaves, waiting for one more Christmas Day that will never come, not under my roof at least – and all because I couldn’t keep my hands to myself and ruined it.
The moral of the story: do *not* hug your Christmas tree. However blissful you may temporarily feel, the tree really doesn’t like it.
Also, maybe cut down on the drinking. It’s a tree. What the hell are you doing?